The reward of thy pure and sublime grace. No silver nor gold, not life itself could replace Thou are the treasured gift that God to us endowed, Ivan Franov Gundulić’s ode to freedom–from his most famous play, Dubravka–moves me every time:įair liberty, beloved liberty, liberty sweetly avowed,
Something interesting about Dubrovnik is that it was an independent state for 800 years it guarded its freedom from Venice and Turks. Something most filmmakers wouldn’t know is that it’s a wonderful place to shoot a film–the people and crews are exceptional and the locations are stunning. I am very connected to my roots there, and I spend an equal amount of time in Croatia and the U.S. JB: How would you describe the arts culture in Croatia? What is something most people wouldn’t know about the country?ĪAK: Croatia is home. I know many wonderful filmmakers who never went to film school, but they have an impressive film education through other arts and self-education. I wanted to study film, but I don’t think that it’s essential to study film in a film school or at an institution like Columbia. I dare say that never living in New York is almost like never falling in love and being heartbroken. Why do you think film education is important?ĪAK: Studying and living in New York is important. JB: And you also studied film at Columbia University. Only in NYC did I realize I wanted to direct. That was another level of my experience there–my start. I applied to the Academy of Dramatic Arts as a producer, because I felt like, “OK, I understand the industry, I can make it happen from having 11 years of acting experience in the theater.” So I studied theater production and, as it is attached to film, I was doing both at the academy in Zagreb–then I went to do an internship in New York City. Then, something changed growing up I realized that acting was not my thing anymore, but I wanted to stay surrounded by the same types of people. So I started acting in a theater–a city theater in Dubrovnik–and I acted until I was probably 18. And then, when I was seven, I was very eclectic, and I always wanted to perform. My mother used to take me to the theater when I was four years old. JB: How did you first discover filmmaking? Do you have an early memory of seeing a film that made an impression, or a particular film you loved growing up?ĪAK: It’s interesting.
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I always felt free both in city and nature freedom is very important to me. In the summer, I on the island with my mother, grandmother, and great grandmother. It’s like being in a castle, always on the street with people your age, always coming up with theater and choreography–directing, essentially. In winter I was living within city walls. Jaclyn Bethany: Hi, Antoneta! Where did you grow up? What was your childhood like?Īntoneta Alamat Kusijanović: I come from Dubrovnik, Croatia. Pastikan nomor handphone yang ada pada alamat Anda aktif agar dapat dihubungi oleh kurir. Nenek Shirley justru masih aktif menjadi. Perempuan 80 Tahun Ini Masih Main Film Blue.
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J.B.ĭownload Film Indonesia Gratis, Download Film Terbaru 2017, Download Drama Korea Terbaru 2017, Nonton Film Online 2016, Free Download Movies Full HD Tuberuk Just Another Your Description sites. Below, I spoke with Antoneta about that special place, her discovery of filmmaking, and the process of creating her award-winning short. Not only did I find the story, art direction, and images captivating–I was also intrigued by the depiction of daily life in Croatia, a place we don’t often see on screen. Minji thought I would relate to Antoneta’s beautiful, coming-of-age film, Into The Blue, which was awarded a Special Mention at Berlinale last year. I was first introduced to Antoneta by fellow filmmaker Minji Kang. Alamat Blue Film Average ratng: 4,8/5 5959 votes
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